Play 33, Harrowing of Hell (1)

5 10 1001 15 20 1011	ANIMA CHRISTI Now all mankende in herte be glad With all merthis that may be had, For mannys sowle that was bested In the logge of helle. Now shal I ryse to lyve agayn From peyn to pleys of paradyse pleyn! Therfore, man, in hert be fayn: In merthe now shalt thu dwelle. I am the sowle of Cryst Jhesu, The which is Kynge of all vertu! My body is ded — the Jewys it slew — That hangyth yitt on the rode, Rent and torn, all blody red. For mannys sake my body is deed; For mannys helpe my body is bred, And sowle drynk my bodyes blode. Thow my body be now sclayn, The thrydde day — this is certayn — I shal reyse my body agayn To lyve as I yow say. Now wole I go streyth to helle And feche from the fendys felle All my frendys that therin dwelle To blysse that lestyth ay.	mankind; heart; (see note) mirth man’s soul; placed lodge pain; joys; clear heart; glad mirth yet; cross Ripped man’s sake; dead man’s help; bread souls; body’s Though; slain third; (t-note) live will; straight fetch; fierce fiends friends bliss; lasts forever
	[The sowle goth to helle gatys (gates) and seyth: “Attolite portas, principes vestras, et eleuamini porte eternales, et introibit Rex Glorie.” 1	(see note); (t-note)
25 30 1021 35 40 1032 45	Ondothe youre gatys of sorwatorie! On mannys sowle I have memorie. Here comyth now, the Kynge of Glorye These gatys for to breke! Ye develys that arn here withinne Helle gatys, ye shal unpynne! I shal delyvere mannys kynne From wo I wole hem wreke. BELYALL Alas! Alas! Out and harrow! Onto thi byddynge must we bow That thu art God now, do we know! Of thee had we grett dowte; Agens thee may nothynge stonde! Allthynge obeyth to thyn honde, Bothe hevyn and helle, watyr and londe! Allthynge must to thee lowte! ANIMA CHRISTI Agens me, it wore but wast To holdyn or to stondyn fast. Helle logge may not last Agens the Kynge of Glorye! Thi derke dore, down I throwe! My fayr frendys, now wele I knowe: I shal hem brynge reknyd be rowe Out of here purcatorye.	Undo; gates; pride (surquidry); (see note) man’s soul; a claim gates; break devils; are unbolt mankind woe I will deliver them (cries of distress) bidding great doubt Against; stand Everything; hand Everything; bow Against; a waste stand lodge Against friends them; row by row their purgatory; (t-note)

PLAY 33, HARROWING OF HELL (1): FOOTNOTE

Line 24, s.d.: Lift up your gates, you princes, and be lifted up, O eternal gates, and the King of Glory shall enter in (compare Vulgate Psalm 23:7)

PLAY 33, HARROWING OF HELL (1): EXPLANATORY NOTES

Abbreviations: PP: Passion Play, ed. Meredith (1990); S: N-Town Play, ed. Spector (1991).

This play is written in tail-rhymed octaves.

1, s.n. ANIMA CHRISTI “Soul of Christ." Note that while Jesus is in hell, he is Anima Christi. At the Resurrection, beginning line 1434, the speaker’s name becomes “Jhesus" once again.

1 ff. As with the split Last Supper scenes (27.141–571), the twin Harrowing of Hell scenes suggest simultaneity. While Anima Christi is clearing out hell, Jesus’ body is buried and Pilate’s guard stands watch over the sepulcher. Meredith and Spector cite the source of this scene as the Gospel of Nicodemus (PP, pp. 212– 13n993ff.; S 2:516).

24, s.d. Vulgate Psalm 23:7, part of the collect for Palm Sunday, loosely translated in lines 25–28.

25 Ondothe youre gatys. The undo the door trope common in romances (see The Squire of Low Degree).

25 ff. Meredith and Spector cite Northern Passion as a major source for this section (PP, p. 214n1101–02; S 2:520).

PLAY 33, HARROWING OF HELL (1): TEXTUAL NOTES

Abbreviations: See Explanatory Notes, above

18 certayn. MS: e erased over y.

24, s.d. MS: in the left margin is written Nota anima latronis (“Note: soul of thief.") in the hand of a reviser for a later performance (S 2:520; PP, pp. 213n1016sd, 252–53). Red versus mark appears before Latin lines.

After 48 MS: no break between plays.